Lo & Behold — Blog

Finding Queer Asian America in the Margins

When I began the research for Last Night at the Telegraph Club in earnest, I knew that I needed to know more about those lesbians of color. More specifically, I needed to know what it was like to be a Chinese American lesbian in San Francisco in the 1950s, but they were nearly invisible in the historical record.

A Brief History of Male Impersonation

Today we no longer use the term “male impersonator” to describe a woman who performs onstage as a man; today we’d use the term “drag king.” But male impersonation was once a popular and mainstream entertainment, and some male impersonators were famous enough to tour nationally.

Racism and the Chinese American Experience

A major part of the background research for Last Night at the Telegraph Club involved learning how Lily’s Chinese American identity would have been experienced by her and how it would have been perceived by others—not only her family and community, but by whites and other non-Chinese.

A Guide to Lily's San Francisco

In the following maps, I've marked significant locations in Last Night at the Telegraph Club with numbers, and below the maps you'll see additional information about each site. If you're in San Francisco now or sometime in the future, you can visit most of these locations, or see where my fictional landmarks are set.

The Making of Miss Chinatown

Last Night at the Telegraph Club opens on July 4, 1950, at the Chinese American Citizens Alliance Independence Day Picnic, which featured a Miss Chinatown beauty pageant. The scene in the novel was inspired by the real-life beauty pageant that took place on that date in Los Altos, a suburban community south of San Francisco.

Chinese Food in 1950s America

I’ve always believed that food is an integral part of world-building. It’s the fifth of my “Five Foundations of World-Building,” and I also included it in my post on world-building in realistic fiction. Food can be a useful shorthand for culture, and it can also be layered over the course of an entire novel to tell a more complicated story about power and identity.